It seems we are always chasing our gods and our saints while our demons are chasing us. Perhaps the answer is in viewing our deities in the same lens we view our demons. It is true when we walk in the light we cast a shadow, there is no way to live without experiencing the pain and pleasure of our angels and our demons. This is a poem about finding myself through a balance of opposites. We have all been here.
I have never experienced sculpture and poetry as separate disciplines.They are two expressions of the same act of attention.
My sculptures begin as observations of the human condition, not as it is performed, but as it is lived. The quiet lean of one body toward another. The tension between longing and restraint. The moment where love steadies us or undoes us. I am less interested in spectacle than in recognition: the instant when someone sees themselves inside a form and feels understood without explanation.
Sculpture, for me, is a language of the body.Poetry is the same language, spoken inward.
When I sculpt, I am listening with my hands. Bronze carries memory. It holds weight, resistance, gravity, just as we do. The human figure becomes a site of inquiry: how we endure, how we reach, how we protect ourselves, how we surrender. The surface matters, but what lives beneath the surface matters more. What is unspoken. What is held.
My poetry often arrives after the sculpture, as if the work has loosened something that needs words. Other times, the poem comes first, a line, an image, a truth that insists on being felt before it can be seen. In those moments, the sculpture follows the poem like a body following breath. Each informs the other. Each sharpens the question.
There is a conversation constantly unfolding between these two forms.The sculpture teaches the poem about silence.The poem teaches the sculpture about vulnerability.
I think of my work, whether cast in bronze or written in lines, as acts of witnessing. To love is to witness. To create is to witness. To stand still long enough for the moment to speak.
I am drawn to themes of devotion, resilience, sensuality, and the unguarded spaces between people. The human condition is not abstract to me, it is intimate. It lives in posture, in proximity, in the way two figures can hold an entire history without narrative. My figures are often grounded, rooted to the earth, because love is not an idea, it is something we carry in our bodies.
Over time, I have come to understand that my sculptures are poems that refuse to speak, and my poems are sculptures that refuse to stand still. They exist in a shared field of meaning, each one asking the same essential questions:
How do we live inside love?How do we survive longing?What does it mean to remain open in a world that asks us to close?
The image accompanying this piece captures me as I am most often found, observing, listening, inhabiting the space between thought and form. It is there, in that in-between, where my work lives.
Art, for me, is not about answers.It is about staying with the questionand allowing it to take shape.
Gesso CocteauSculptor & Poet
3 comments
Thank you for reading my blog. Kathy you are an angel. Philip thank you for taking the time to stop by my blog!
a poem that sheds light on our dark or difficult sides…It’s beautiful, somewhere there is also the family pain or family wisdom often coming together. Thank you Gesso, for your beautiful words
Love this so!! I love all of your beautiful creations my beautiful cousin!!
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3 comments
Thank you for reading my blog. Kathy you are an angel. Philip thank you for taking the time to stop by my blog!
a poem that sheds light on our dark or difficult sides…It’s beautiful, somewhere there is also the family pain or family wisdom often coming together. Thank you Gesso, for your beautiful words
Love this so!! I love all of your beautiful creations my beautiful cousin!!