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Graphite and chalk reveal a different side of my visual language. In sculpture, I dismantle and reduce form; in drawing, I return to anatomical detail and realism. Neither world can exist without the other. Abstraction and observation remain interdependent.

In these drawings, I become my own muse.

“Let yourself be silently drawn by the stronger pull of what you really love.” That idea guides The Prayer Series—numbered works that carry the shifting temperament of being human and the beautiful, wild forces within us.

Hands often appear in prayer: a gesture older than language and understood across cultures. It is a visual emblem of hope and an instinctive state of grace. The posture reaches beyond doctrine. It is wisdom held in the bones—a reminder that prayer can become a form of poetry, offering strength, faith, and grace.